Nice Jazz Festival
Von: glumph (arlosdad@aol.com) [Profil]
Datum: 02.08.2008 22:05
Message-ID: <dd17c208-6ed3-43ac-af98-98a853f37482@c65g2000hsa.googlegroups.com>
Newsgroup: alt.music.leonard-cohen
Datum: 02.08.2008 22:05
Message-ID: <dd17c208-6ed3-43ac-af98-98a853f37482@c65g2000hsa.googlegroups.com>
Newsgroup: alt.music.leonard-cohen
Leonard Cohen Nice Jazz Festival, Jardin du Cimiez Tuesday 22nd. July 2008 It’s lovely, of course, to have a music festival in a pleasant public park. But not so lovely if you want to park your car nearby. Unfortunately, as in all big cities, parking is murder, and streets for a mile around were jam-packed. As the evening approached the whole area was cordoned off by the police and parking was impossible. They even had a security guard on the local supermarket stopping people trying to park there. Our ticket said the show was to start at 7:30pm and so a few minutes before this Lorna and I walked to the park entrance, where there were fairly long queues of people of all ages. I suppose that is a nice feature of these people like Leonard Cohen who have survived the years, that their fanbase has been extended down the generations. Of course there were the usual security guards, and they asked me what was in my camera bad. I said it was my dinner, but they searched it and discovered my camera. “Well, it’s not sandwiches,” the guard said . Everyone thinks they’re Bob Hope these days. So I had to leave it at the ‘Consigne’ and take a ticket. I was a bit pissed off at that, especially later when I saw that lots of people had managed to sneak in their cameras. Then we wandered down to the concert area and joined the throng of people sitting about. I thought this was very badly arranged, as the stage was at the top of a slight incline, with olive trees dotted about. This meant that we would have to try and see over the heads of people who were slightly higher than us. It would have been far better to have situated the stage at the bottom of the incline, creating a sort of amphitheatre, I thought. Of course, it turned out that the 7:30 time on the ticket, was not when our hero was due to perform, but this was the time of the evening’s activities, and some other acts were performing in other areas of the park earlier. Leonard was not due to appear till 9pm. So we sat around as the crowd thickened, and as 9pm approached we had to stand as we were hustled forward, ending up about 20 yards from the stage. Some people were climbing the olive trees. Gradually the light was fading, and the palm trees behind the stage became silhouetted against the clear sky as it turned pink then violet then a dark blue. Very romantic and atmospheric; a warm evening in Nice in the south of France, about to see Leonard Cohen. Then just a few minutes late there was a bustle of excitement as the musicians and three girl backing singers took the stage and struck up the opening chords of ‘Dance Me to the End of Love’, and suddenly he jogs on in a dark suit and black trilby to thunderous applause, picks up the microphone and starts growling at us in the nicest possible way. The band were superb and the sound excellent. I think they must have been rehearsing. Of course, we’ve come to expect his voice to have, let’s say, ‘mellowed’ over the years, and, let’s face it, he never was famous for his vocal style. In fact, I rather like the way he sings now. He isn’t pretending that he can sing the same as he did thirty years ago, yet he still seems to hit all the right notes in the right places. Near enough for me, anyway. He wraps his left hand around the microphone, which possibly gives a little more resonance to his voice. Huge applause at the end of the first song, then straight into ‘The Future’ – one of my favourites. Brilliant. Sings ‘Give me crack and casual sex’ instead of the original lyrics as he did when I saw him on TV several years ago. A bit more tasteful, I suppose. And then he sings, “And the white girls dancing,” and gestures to the two white backing singers who clutch each other and bop about. The third (black) girl singer looks a bit left out. Then ‘Ain’t No Cure For Love’. Wonderful. (Apart from the fact that h e keeps kneeling down on one knee as if imploring the audience to share his pain, but only succeeding in disappearing from our view. I could see fairly well, but Lorna, being shorter, had some difficulty.) Several times he introduces a song with a few words in French: “Comme un oiseau sur le fil…..”. I half expected him to do one of his songs with French lyrics like ‘The Partisan’ or that other one on Recent Songs that I forget for the moment. But no, all in English. Then, as it was a warm evening, he takes his jacket off to show us his grey shirt. I wondered if he would take off any more, but that was it. At intervals during the show he introduces members of his band, usually after a solo. The man playing saxophone and harmonica was excellent. Everybody Knows; Who By Fire (I was a bit surprised he did this, but pleased) Bird On The Wire (massive applause) Some changes to the lyrics. Tower Of Song (Huge cheer for “I was born with the gift of a golden voice) So Long, Marianne (Everyone singing the chorus- great fun singing with Leonard Cohen!) Suzanne (Maybe the best cheer of the night) Democracy Hallelujah (“I didn’t come all the way to Nice in France just to fool you”) I’m Your Man Closing Time (I don’t really like this, but I suppose it was appropriate for the end song) Then off to long and thunderous applause, but not for too long before he’s persuaded back for the encore: Ring The Bell (What’s it called? “That’s how the light gets in”) First We Take Manhatten And that’s it. A few words about how privileged he is to be able to sing for us, and he’s gone back into the night. I think I may have missed out a song or two, but you’ll have to forgive me. My back was absolutely killing me from standing so long (I'm not getting any younger), but very happy. We wandered off to the back of the crowd to sit on a wall and have a smoke when a TV team came next to us to film a report, and I chatted to the director, an absurdly young girl. She was surprised the concert was so long, she said. I said was surprised she was surprised. Did we like the way he sang now? I said, well, he’s 74, but yes, I like it. It was only for the local TV station, so unfortunately we wouldn’t be able to see it in. I suggested she interview us as 38 years ago we had arranged our wedding so that we could go to the Isle of Wight to see Leonard Cohen for our honeymoon. She said it was a nice story, but they were finished for the night. Another chance for glory slips away........ Then we set off to leave the park, unwittingly ending up behind the stage, where there were two cars parked, and a security guard made us stand back with a small crowd, all with their cameras and mobile phones at the ready, and I realised this is where the great man would exit. I could see it was much too dark for a photo, but I got my phone out and took a shot as he flashed by and into the car, almost hidden by security guards. Of course it didn’t work. I took a number of photos with my phone during the evening, and a couple of sound clips, but they are not great quality, surprise surprise. Got my camera back OK, in case you were worried. I hope I haven’t gone on too much, but I thought you can always ignore the boring bits. Ron Lapworth P.S. A relative in England has told us that on TV the other night, the UK Foreign Secretary, David Milliband, was being interviewed about the depressing state of the country. He replied, “If you think that is depressing, you should have been at the Leonard Cohen concert the other night.”[ Auf dieses Posting antworten ]
Antworten
- Tom Layesman (03.08.2008 05:53)
- glumph (03.08.2008 21:32)
- Melia (04.08.2008 06:11)
- glumph (04.08.2008 21:14)
